By Bill Byrne
Add 3D on your mograph skillset! For the skilled 2nd artist, this lavishly illustrated, four colour publication offers the necessities to construction and compositing 3D parts into your second international of movie and broadcast. ideas and strategies are awarded in concise, step by step tutorials, 1000s of that are featured all through. Featured purposes comprise Photoshop, Illustrator, After results, and Cinema 4D.
Lessons comprise exploring the improved 3D performance of the Adobe inventive Suite functions (After results, Photoshop, and Illustrator) via a chain of sensible tutorials. extra complex classes then stick with, with tutorials and perception supplied in in particular geared classes for 2nd artists operating in Cinema 4D, 3ds Max, and ZBrush.
4-color presentation is additional superior by means of a variety of sidebars, assistance, and "gotchas" to monitor for through-out the e-book. The DVD includes hours of undertaking documents with that you can paintings alongside the tutorials within the book.
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Extra resources for 3D Motion Graphics for 2D Artists. Conquering the Third Dimension
Psd image in Photoshop. Our document is set to a square size of 500 px × 500 px. This makes doing what we are about to do a little easier. 2. Create a new document. psd. 3. Fill our new document with gray. ” Chapter 4 Photoshop 3D 33 34 Chapter 4 Photoshop 3D 4. Go to the 3D menu and choose New Shape From Layer>Cylinder. 2 Before we go any further with this tutorial we should familiarize ourselves with the 3D tools. With the arrival of version CS4, Photoshop introduced two brand-new tools for dealing with the new 3D functionality.
Set Amount to 100 percent. Select a Uniform distribution and check Monochromatic. 4. Apply Filter>Blur and Sharpen>Gaussian Blur. Keep it very low, around 1 pixel. Chapter 4 Photoshop 3D 53 54 Chapter 4 Photoshop 3D 5. Now we can turn this mess of blurred static into something that looks like stars. Go to Image>Adjustments>Levels and move the sliders to about the positions you see in above figure. The mid-tones slider has the most control; adjust until you’ve got the amount of stars you need. 6.
For designers who are Adobe based, it offers some nice extensions to what your software is already capable of handling. However, complex 3D requires tools with much deeper capability. Throughout this book we will be often addressing the issue of how much 3D you need. Many motion graphics designers will not need to create fully articulated 3D characters; a common need is something like a 3D product shot. The Photoshop/After Effects CS5 solution will work quite well for that. You can’t model complex surfaces; mainly there’s no feature for working with NURBS.