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The focus in the novel on sacred places dating back to the sixth century, in keeping with its emphasis on the highly politicized nature of the ancient chronicles also composed during the sixth century, can thus be understood in terms of the current overarching religious and nationalist agenda to portray a fusion of temporal and spatial horizons. Remarking on the artificial, yet incredibly powerful impact of this “fusion of horizons,” Kemper notes that although renovation “saves the past,” it does so, at a cost “because the process usually makes the past more like the present” (136).

Tambiah, S. World Conqueror and World Renouncer. Cambridge: Cambridge UP, 1976. Ondaatje’s The English Patient and Rewriting History Stephanie M. Hilger Ondaatje’s “English” patient starts his frequently interrupted and mediated I-narration with an acknowledgment of the influence and the power of the writing of history. He tells Hana, his devoted Canadian nurse, that “I am a person who if left alone in someone’s home walks to the bookcase, pulls down a volume and inhales it. So history enters us” (18).

Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge: Harvard UP, 1997. Delisle, Jean, and Judith Woodsworth, eds. Translators through History. Amsterdam: John Benjamins, 1995. Hanssen, Beatrice. Walter Benjamin’s Other History: Of Stones, Animals, Human Beings, and Angels. Berkeley: U of California P, 2000. Jay, Paul. 2 (1997): 405–31. MacInnes, Colin. ” Sidney Nolan: Catalogue of an Exhibition of Paintings from 1947 to 1957 Held at the Whitechapel Art Gallery, London: June to July 1957.

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